Dialogue October - December 2005 , Volume 7 No. 2
Nirmal Verma
In the
death of Nirmal Verma, (1929-2005) we have lost one of the most powerful
creative writers of our times. He is best known for his incomparably subtly told
stories; but his essays – particularly the more recent ones on Indian culture
and civilization- bring extraordinary depth to our understanding of our
contemporary predicament. Nirmal Verma was born in Shimla in 1929, and spent his
childhood there. His Shimla experience reverberates, both directly and
indirectly, in some of his most moving stories. He took his Master’s degree in
History from St Stephen’s College, Delhi. As he embarked on a teaching career,
he began to write for various literary magazines. In 1959, on the invitation of
the Institute of Oriental Studies in Prague, Nirmal Verma went to Prague to lead
a project on translating modern Czech writers into Hindi. He spent several years
in Czechoslovakia while traveling extensively in Eastern and Western Europe. On
his return to India, he was awarded a Fellowship of the Indian Institute of
Advanced Study to work on the theme of mythic consciousness in literature.
Nirmal Verma won several
prestigious literary awards including the Sahitya Akadmi award for his
collection of stories Kauwe Aur Kala Pani and Gyanpeeth award for a
lifetime’s contribution to Indian arts and letters. His published work
includes five novels, eight collections of short stories and several books of
essays.
Verma was the master of what I
might call the narrative of the moment. An episode, a chance meeting, a brief
exchange is explored with the utmost delicacy, tenderness and depth, and throws
subtle moral light on life’s vicissitudes. Some have suggested that Verma’s
core sensibility is European rather than Indian. But nothing can be further from
the truth. While his understanding of Europe is profound, the Indianness of even
his “European” stories is unmistakable, and. Of course, at the same time, he
is marvelously universal
Nirmal Verma has been translated
into several languages. The English translation of fourteen of his short
stories, with something of a thematic thread running through them, brought
together in a volume entitled, Indian Errant, makes quintessential Nirmal
Verma available to the English reading reader. Amitabh Ghosh, another great
writer of our time, says of this volume: “To the subjects of exile, loss and
displacement, Nirmal Verma brings a uniquely tender sensibility as well as a
vision that is profoundly informed by the specificities of a wider historical
experience. This is a major new collection from one of the contemporary
world’s finest writers.”
Nirmal Verma will live in his books for many many
generations to come.
Dialogue (A quarterly journal of Astha Bharati) |